Plucked from every background, and led by an N.K.V.D. Major, the new recruits who boarded a train in Moscow on 16th October 1941 to go to war had much in common with millions of others across the world. What made the 586th Fighter Regiment, the 587th Heavy-bomber Regiment and the 588th Regiment of light night-bombers unique was their gender: the Soviet Union was creating the first all-female active combat units in modern history. Drawing on original interviews with surviving airwomen, Lyuba Vinogradova weaves together the untold stories of the female Soviet fighter pilots of the Second World War. From that first train journey to the last tragic disappearance, Vinogradova's panoramic account of these women's lives follows them from society balls to unmarked graves, from landmark victories to the horrors of Stalingrad. Battling not just fearsome Aces of the Luftwaffe but also patronising prejudice from their own leaders, women such as Lilya Litvyak and Ekaterina Budanova are brought to life by the diaries and recollections of those who knew them, and who watched them live, love, fight and die.

Plucked from every background, and led by an N.K.V.D. Major, the new recruits who boarded a train in Moscow on 16th October 1941 to go to war had much in common with millions of others across the world. What made the 586th Fighter Regiment, the 587th Heavy-bomber Regiment and the 588th Regiment of light night-bombers unique was their gender: the Soviet Union was creating the first all-female active combat units in modern history. Drawing on original interviews with surviving airwomen, Lyuba Vinogradova weaves together the untold stories of the female Soviet fighter pilots of the Second World War. From that first train journey to the last tragic disappearance, Vinogradova's panoramic account of these women's lives follows them from society balls to unmarked graves, from landmark victories to the horrors of Stalingrad. Battling not just fearsome Aces of the Luftwaffe but also patronising prejudice from their own leaders, women such as Lilya Litvyak and Ekaterina Budanova are brought to life by the diaries and recollections of those who knew them, and who watched them live, love, fight and die.

Based on exclusive access to Turkish archives, Defending Gallipoli reveals how the Turks reacted and defended Gallipoli. Author and Turkish language expert Harvey Broadbent spent five years translating everything from official records to soldiers' personal diaries and letters to unearth the Turkish story. It is chilling and revealing to see this famous battle in Australian history through the 'enemy' lens. The book commences with a jihad, which sees the soldiers fighting for country and God together. But it also humanises the Turkish soldiers, naming them, revealing their emotions, and ultimately shows how the Allies totally misunderstood and underestimated them Defending Gallipoli fills a huge gap in the history of the Gallipoli campaign.

Defending the Fringe assesses the importance of the southern flank of NATO to the Western Alliance. It discusses Western strategy toward the Persian Gulf and includes a brief historical sketch of U.S. regional security doctrines.

Who is better prepared to confront challenges and defend principles in a volatile modern world? Those with strong national, religious, ethnic, or tribal identities who accept democracy, or democrats who renounce identity as a kind of divisive prejudice? Natan Sharansky, building on his personal experience as a dissident, argues that valueless cosmopolitanism, even in democracies, is dangerous. Better to have hostile identities framed by democracy than democrats indifferent to identity. In a vigorous, insightful challenge to the left and right alike, Natan Sharansky, as he has proved repeatedly, is at the leading edge of the issues that frame our times.

Who is better prepared to confront challenges and defend principles in a volatile modern world? Those with strong national, religious, ethnic, or tribal identities who accept democracy, or democrats who renounce identity as a kind of divisive prejudice? Natan Sharansky, building on his personal experience as a dissident, argues that valueless cosmopolitanism, even in democracies, is dangerous. Better to have hostile identities framed by democracy than democrats indifferent to identity. In a vigorous, insightful challenge to the left and right alike, Natan Sharansky, as he has proved repeatedly, is at the leading edge of the issues that frame our times.

This study of the period from 1878 to 1938 explores international minority protections.

Populist authoritarian governments have jeopardized the human rights accomplishments of the 20th century. Ensuring their fulfillment has become a challenge for these governments and an issue for human rights defenders seeking to find ways to resist anti-democratic actions. This book seeks to expose the crisis of human rights at the hands of people who, despite rising to power through democratic means, now see democracy as a limiting institution that must be dismantled urgently. Restrictions on civil society and arbitrary detentions are some of the reasons why this populist and authoritarian vision is incompatible with human rights, which are guaranteed to some and denied to others. Through various narratives, the authors seek to recognize new spaces for struggle—such as political activism—to develop action-research tools in a context of crisis.

Defending Their Own in the Cold: The Cultural Turns of U.S. Puerto Ricans explores U.S. Puerto Rican culture in past and recent contexts. The book presents East Coast, Midwest, and Chicago cultural production while exploring Puerto Rican musical, film, artistic, and literary performance. Working within the theoretical frame of cultural, postcolonial, and diasporic studies, Marc Zimmerman relates the experience of Puerto Ricans to that of Chicanos and Cuban Americans, showing how even supposedly mainstream U.S. Puerto Ricans participate in a performative culture that embodies elements of possible cultural "Ricanstruction." Defending Their Own in the Cold examines various dimensions of U.S. Puerto Rican artistic life, including relations with other ethnic groups and resistance to colonialism and cultural assimilation. To illustrate how Puerto Ricans have survived and created new identities and relations out of their colonized and diasporic circumstances, Zimmerman looks at the cultural examples of Latino entertainment stars such as Jennifer Lopez and Benicio del Toro, visual artists Juan Sánchez, Ramón Flores, and Elizam Escobar, as well as Nuyorican dancer turned Midwest poet Carmen Pursifull. The book includes a comprehensive chapter on the development of U.S. Puerto Rican literature and a pioneering essay on Chicago Puerto Rican writing. A final essay considers Cuban cultural attitudes towards Puerto Ricans in a testimonial narrative by Miguel Barnet and reaches conclusions about the past and future of U.S. Puerto Rican culture. Zimmerman offers his own "semi-outsider" point of reference as a Jewish American Latin Americanist who grew up near New York City, matured in California, went on to work with and teach Latinos in the Midwest, and eventually married a woman from a Puerto Rican family with island and U.S. roots.